My Body, The Buddhist

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Wesleyan University Press, 2000 - 104 Seiten

A premiere choreographer's compelling argument for the agency of the body in creative processes.

Through a series of imaginative approaches to movement and performance, choreographer Deborah Hay presents a profound reflection on the ephemeral nature of the self and the body as the locus of artistic consciousness. Using the same uniquely playful poetics of her revolutionary choreography, she delivers one of the most revealing accounts of what art creation entails and the ways in which the body, the center of our aesthetic knowledge of the world, can be regarded as our most informed teacher.

My Body, The Buddhist becomes a way into Hay's choreographic techniques, a gloss on her philosophy of the body (which shares much with Buddhism), and an extraordinary artist's primer. The book is composed of nineteen short chapters ("my body likes to rest," "my body finds energy in surrender," "my body is bored by answers"), each an example of what Susan Foster calls Hay's "daily attentiveness to the body's articulateness."

 

Inhalt

my body benefits in solitude
1
my body finds energy in surrender
4
my body enjoys jokes riddles and games
9
my body engages in work
16
my body commits to practice
20
my body seeks comfort but not for long
24
my body is limited by physical presence
27
my body knowingly participates in its appearances
30
my body seeks more than one view of itself
54
my body delights in resourcefulness
59
my body trusts the unknown
64
my body feels weightless in the presence of paradox
74
my body equates patience with renewal
78
my body hears many voices not one voice
82
my body relaxes when thoughts abate
97
my body is held in the present
99

my body likes rest
49
my body is bored by answers
53

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Autoren-Profil (2000)

DEBORAH HAY's choreography, from exquisitely meditative solos to dances for large groups of untrained and trained dancers, explores the nature of experience, perception, and attention in dance, and has received numerous awards. Her previous books are Lamb at the Altar (1994) and Moving Through the Universe in Bare Feet (1975). SUSAN FOSTER is Professor of Dance History at UC-Riverside and author of Choreography and Narrative (1998) and Reading Dancing (1988).

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