Music Theory and Natural Order from the Renaissance to the Early Twentieth Century
Professor of Music Harvard University Suzannah Clark, Suzannah Clark, Alexander Rehding
Cambridge University Press, 2001 - 243 Seiten
Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what ‘Nature’ is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.
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aesthetic analysis ancient Bach's Beethoven's sonata cadences Cambridge University Press Camerata Carl Dahlhaus century chord claims Classical coda concept of nature corps sonore culture Descartes discourse dominant dorian dualer Entwickelung Early Modern empirical equal temperament Essay Example faculty figure finale Florentine Camerata Fludd fugue fundamental bass Galilei gaze Halm Halm's Harmoniesystem in dualer harmonique harmony Hauptmann Haydn's hear Ibid idea instinct instruments Jean-Philippe Rameau John Playford knowledge London magic major melody minor scale minuet mode movement music theory music-theoretical musical practice musicians natura naturans natural philosophy Nietzsche Nietzsche's nineteenth notation notion Oettingen Oxford phonic principle Rameau reading recapitulation recognise Reicha Renaissance rhythmic Riemann Robert Fludd savage scale Science scientific seems sensation sense sonata form soul sound sous-entendre structure symmetry Symphony thematic theme theoretical theorists things thought tion tonal tonic traditional trans treatise understanding Vincenzo Galilei Wagner Weber Webster writings
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