How New York Stole the Idea of Modern Art

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University of Chicago Press, 15.04.1985 - 277 Seiten
"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."—New York Times Book Review
 

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Inhalt

New York 19351941 The DeMarxlzation of the Intelligentsia
17
The Second World War and the Attempt to Establish an Independent American Art
49
The Creation of an American AvantGarde 19451947
101
Success How New York Stole the Notion of Modernism from the Parisians 1948
163
Conclusion
193
Notes
205
Bibliography
247
Index
263
Urheberrecht

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Über den Autor (1985)

Serge Guilbaut is professor and department head in the Department of Fine Arts at the University of British Columbia.

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