Film Editors: List of Film Director and Editor Collaborations, Law Wing-Cheung, Mary Sweeney, Rudi Fehr, Pietro Scalia, Elena Magani

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General Books LLC, 2010 - 26 Seiten
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 24. Chapters: List of film director and editor collaborations, Law Wing-cheung, Mary Sweeney, Rudi Fehr, Pietro Scalia, Elena Maganini, Marco Mak, Raluca Saita, Ry ichi Hiroki, Claire Simpson, Cheung Ka-fai, Nina Kusturica, Alisa Lepselter, Joao Costa Menezes, Peter E. Berger, Kirk Demorest, Paul Rubell, B. Lenin, Zach Staenberg, Mathilde Bonnefoy, Sandy Northrop, Christopher Greenbury, Tom Priestley, David Rosenbloom, Harry Snodgrass, American Cinema Editors Career Achievement Award, Sanjeev Nag, William Goldenberg, Julie Monroe, Pascal Tosi, Pamela Martin, Kant Pan, Albert Akst, JoLynn Garnes, Richard A. Harris, Andrew Weisblum, Stephen Schaffer, James Coblentz, William Hoy, Malcolm Campbell, Lesley Walker, Ashmith Kunder, William Chang, George Akers, Wayne Wahrman, Ken Schretzmann, Job ter Burg, Takeshi Seyama, Richard L. Van Enger, Julia Wong, Seiji Morita, Timothy Gee, Sonny Malone, Bob Ducsay, Kevin Sitt, Darren T. Holmes, John Richards, Marcus D'Arcy. Excerpt: This list of film director and editor collaborations includes longstanding, notable partnerships of directors and editors. The list's importance is that directors and editors typically work together on the editing of a film, which is the ultimate step of filmmaking during which the dozens or hundreds of hours of raw film "footage" are pruned and woven into the final film. Film critic Walter Kerr has argued that editing is comparable in its importance to directing itself, and should be credited as such. Quentin Tarantino has been quoted as saying, "The best collaborations are the director-editor teams, where they can finish each other's sentences," and that his own editor, Sally Menke, was his "only, truly genuine collaborator." Crediting the editing of a film is made more difficult by the fact that the relative contributions of the director and the editor vary enormo...

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