Close Harmony: A History of Southern GospelUNC Press Books, 2002 - 394 Seiten Comprehensive and richly illustrated, Close Harmony traces the development of the music known as southern gospel from its antebellum origins to its twentieth-century emergence as a vibrant musical industry driven by the world of radio, television, |
Inhalt
THE BOOM YEARS GOSPEL MUSIC PROMOTERS THE ALLNIGHT SINGS | 155 |
Nashville Tennessee September 281992 and Durham North Carolina August 121996 | 197 |
THE GOLDEN AGE CHALLENGE UNCONVENTIONAL GROUPS AND SONGWRITERS | 199 |
THE WORLD OF SOUTHERN GOSPEL | 217 |
Live Oak Florida June 151996 | 219 |
QUARTETS THE NATIONAL EXPANSION OF GOSPEL MUSIC | 221 |
Belfast North Carolina December 241960 and Louisville Kentucky September 251998 | 260 |
THE EMERGENCE OF SOUTHERN GOSPEL | 262 |
| 105 | |
| 107 | |
| 109 | |
Springdale Arkansas August 21996 | 154 |
CONCLUSION | 281 |
NOTES | 287 |
INDEX | 377 |
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Häufige Begriffe und Wortgruppen
American artists audience baritone bass singer became black gospel Blackwood Brothers Brumley Carter century Charles Christian Chuck Wagon Gang church concert country music Courtesy Southern Gospel decades early evangelical Fame and Museum fans Frank Stamps Georgia gospel groups Gospel Music Hall gospel music industry gospel quartet Gospel Singing World gospel songs Hall of Fame Hovie Lister ibid J. D. Sumner James Blackwood James Vaughan Kieffer late Lawrenceburg LeFevre Left to right Music and Printing Music Company music publishing Musical Million Nashville Oak Ridge Boys Oak Ridge Quartet Pentecostal Personal interview piano popular Press promoters quartet music radio recordings revival Ridge Quartet rural sang secular Sevierville shape notes shape-note Showalter singing conventions singing schools songbooks songwriter South Southern Gospel Music Speer Speer Family Stamps Quartet Stamps-Baxter Music Stamps's style success talented television Tenn Tennessee tenor Texas traditional Trio V. O. Stamps Vaughan Quartet Vaughan's Family Visitor white gospel
Beliebte Passagen
Seite 301 - Timothy P. Weber, Living in the Shadow of the Second Coming: American Premillennialism. 1875-1982 (rev.
Seite 292 - Sydney E. Ahlstrom, A Religious History of the American People (New Haven: Yale University Press, 1972); a more compact account is by Winthrop S.
Seite 288 - Musical Million': a Study and Analysis of the Periodical Promoting Music Reading through Shape-notes in North America from 1870 to ¡914 (diss..
Seite 287 - A Brief History of White Southern Gospel Music and a Study of Selected Amateur Family Gospel Singing Groups in Rural Georgia
Seite 358 - The Sound of Light: A History of Gospel Music (Bowling Green, Ohio: Bowling Green State University Popular Press, 1990), p. 86. 10Melva Wilson Costen, African American Christian Worship (Nashville: Abingdon, 1993), p. 98. "John E. Brandon, "Worship in the Black Experience," in The Black Christian Worship Experience, ed.
Seite 292 - Ronald G. Walters, American Reformers, 1815-1860 (New York: Hill and Wang, 1978); and Clifford S. Griffin, Their Brothers' Keepers: Moral Stewardship in the United States, 1800-1865 (New Brunswick: Rutgers University Press, 1960).
Seite 37 - Haven attorney) in 1782: ... at present I have no Inclination for anything, for I am almost sick of the World & were it not for the Hopes of going to singing-meeting tonight & indulging myself a little in some of the carnal Delights of the Flesh, such as kissing, squeezing &c. &c. I should willingly leave it now, before 10 o'clock & exchange it for a better.
Seite 342 - Pentecostalism and Popular Culture in the South: A Study of Four Musicians," Journal of Popular Culture 16, no.
Seite 363 - Marshall Frady, Billy Graham: A Parable of American Righteousness (Boston: Little Brown, 1979...