Anatomy of the OrchestraBefore his death in 1994, Norman Del Mar was acknowledged as one of the world's foremost authorities on the orchestra. Anatomy of the Orchestra is written not only for fellow conductors, players, students, and professional musicians, but also for everyone interested in the performance of orchestral music. |
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Inhalt
The Use and Application of Mutes | 123 |
Chords and Double Stopping | 126 |
Broken Chords Arpeggiando Styles etc | 129 |
Vibratoand Conclusion | 135 |
The Woodwind | 139 |
Family Characteristics | 165 |
Constitutions of Woodwind Sections | 184 |
Platform Planning | 191 |
| 49 | |
| 62 | |
| 66 | |
| 70 | |
| 71 | |
| 79 | |
| 86 | |
| 92 | |
| 96 | |
| 100 | |
Problems of Double Bass Tuning | 105 |
Strings Compass in the Upper Register | 107 |
Harmonics | 112 |
Open Strings and their Notation | 121 |
Solo Passage Work | 202 |
Conclusions | 210 |
Horns | 215 |
Very Strong Effects | 249 |
The Heavy Brass | 273 |
Family Characteristics | 323 |
Part 1Timpani page | 339 |
Conclusion | 370 |
Vibraphone page | 412 |
Cowbells | 425 |
Keyboard and Other Instruments | 431 |
Zither etc page | 494 |
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Bibliografische Informationen
| Titel | Anatomy of the Orchestra |
| Autor/in | Norman Del Mar |
| Ausgabe | illustriert, Neuauflage |
| Verlag | University of California Press, 1983 |
| ISBN | 0520050622, 9780520050624 |
| Länge | 528 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |