Studies in Counterpoint: Based on the Twelve-tone Technique

accel All-Interval Series Allegro moderato J-90 Andante appears arco atonal music beat of Measure beginning on F bo bo Cello cesura characteristic Chords containing Clarinet coda consecutive tones consonances crab canon culmination-points derivative forms developed DISPOSITION OF LARGER double stop ERNST KŘENEK F# and G Flute Clar forthcoming tones forty-eight patterns four forms I-form identical instance interval-relations Measure 11 Measure 9 melodic mf f mf mf mf middle section mild dissonance minor sixth motif motif-relationships Nicolas Slonimsky number of semitones O-form octave one-part inventions perfect fourth pespr pizz poco sostenuto R-form beginning retrograde form Retrograde Inversion retrogression RI mf RULES CONCERNING REPETITION Schoenberg second phrase semitones diminished fifth series-forms six semitones diminished sixth student Symmetrical tempo tension tension-degrees thematic element theme of Ex third beat THREE-PART WRITING three-tone tone technique transposed transpositions triad twelve different tones twelve-tone series twelve-tone technique TWO-PART INVENTIONS TWO-PART WRITING Viola Violin