Quote, Double Quote: Aesthetics between High and Popular Culture

Cover
Paul Ferstl, Keyvan Sarkhosh
Rodopi, 01.02.2014 - 248 Seiten
The boundary between ‘high’ culture and ‘popular’ culture is neither hermetic nor stable. A wide-spread mechanism of a reception strongly influenced by structuralism and post-modernism has led to the amplification and acceleration of cultural production between these two poles. Relying on a decidedly theoretical approach, this volume offers a broad perspective transgressing linguistic, cultural, temporal, and media borders. Reflections and perspectives on the relationship between ‘high’ and ‘popular’ culture are the subject of the thirteen articles collected here. Side by side with theoretical approaches, case studies covering classical and Heavy Metal music, TV series and pornographic films, zombies and ‘Creature Features’, philosophically infused comics and popular lexicography, professional wrestling and hypertext literature pave the way to a contemporary aesthetics.
 

Inhalt

Popular Culture in the Field of Undercomplexity and Imbalanced Coding
7
New Standards of Beauty and Style and Taste Expanding the Concept of Camp
23
Doppelte Optik and lange Ohren Notes on the Aesthetic Compromise
43
Press Instructions of the NS Propaganda Ministry on Literary Texts in Magazines
64
Literary Field or Digital Soup? Literature in the Internet
87
Sick sick sick? Pornography Disgust and the Limit Values of Aesthetics
99
Thoughts Toward the Morphology of Creature Features
121
Zombies Outside the Horror Genre
135
Why Family Guy Does not Copy The Simpsons
151
Reflections on the Montréal Screwjob
167
Reflections on Serious Writing in Popular Culture
179
On Some Features of Philosophy in Salut Deleuze
197
Alphabetical Writing between Information Entertainment and Experiment Playful Variations of Lexicography in High and Popular Culture
221
Notes on Contributors
245
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