American Vision: The Films of Frank CapraCUP Archive, 31.10.1986 - 510 Seiten In this study, Professor Carney provides a fresh analysis of the career and work of film director Frank Capra. There are few filmgoers who have not seen or been moved by one of the thirty-six feature films directed by Frank Capra between 1926 and 1961, among them are It's a Wonderful Life, Mr Smith Goes to Washington, Meet John Doe, Lost Horizon, It Happened One Night, Mr Deeds Goes to Town, and Pocketful of Miracles. Critics, however, have often dismissed the director as sentimental, or patronised his populist tendencies. Professor Carney locates the director's oeuvre within a larger tradition of post-Romantic expression, placing him in the company of figures such as Hawthorne, Emerson, James, Winslow, Homer, Sargent and Edward Hopper. His vast knowledge of Capra's biography, the intricacies of the Hollywood studio system, film-making techniques, and the American cultural heritage has produced a study that moves beyond the boundaries of film scholarship. The detailed readings of individual films are presented within a broad cultural context and the context of Capra's own development. Thus, the book is as much an exploration of the American imagination as it is a study of a single director's work. |
Inhalt
A PREVIEW AND AN OVERVIEW | 1 |
SOCIAL PERFORMANCES AND IMAGINATIVE RESIDUES | 99 |
TRANSCENDENTAL IMPULSES | 153 |
FIGURES OF IMAGINATION AND DESIRE | 223 |
THE LIMITS OF SELFREPRESENTATION | 345 |
AWAKENING FROM THE DREAM | 437 |
Filmography | 495 |
501 | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actors actually American apparently artistic attempt become beginning called camera Capra Capra's films central characters cinematic complex consciousness course created critics Deeds desire dream earlier effect emotional energies entirely existence experience exploration expression fact father feeling figures filmmaker final forces forms George gives Grant human ideals identity imaginative important individual institutional interesting James John kind Ladies later less lighting live look Mary meaning Megan metaphor moment moments move movement movie narrative never Night opening painting particular performance physical play political position possibilities potentially practical present reality relationship represents romantic scene Senate sense sexual shot shows situation Smith social society sort space stage structures style stylistic suggest theatrical things transformation turn understanding viewer vision visionary visual voice wants Wonderful
Verweise auf dieses Buch
Frank Capra and the Image of the Journalist in American Film Joe Saltzman Keine Leseprobe verfügbar - 2002 |
Blue-Collar Hollywood: Liberalism, Democracy, and Working People in American ... John E. Bodnar Eingeschränkte Leseprobe - 2003 |