Allegory: The Theory of a Symbolic ModeCornell University Press, 1964 - 418 Seiten Anyone who has ever said one thing and meant another has spoken in the mode of allegory. The allegorical expression of ideas pervades literature, art, music, religion, politics, business, and advertising. But how does allegory really work and how should we understand it? For more than forty years, Angus Fletcher's classic book has provided an answer that is still unsurpassed for its comprehensiveness, brilliance, and eloquence. -- From product description. |
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Introduction | 1 |
The Daemonic Agent | 25 |
The Cosmic Image | 70 |
Urheberrecht | |
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abstract action aesthetic agents Albrecht Dürer allegorist allegory ambivalence appears Aristotle beauty becomes behavior body called character Christian Coleridge compulsive concept cosmic criticism daemonic daemonic agency Dante devices Divine Divine Comedy drama effect emblem Essays example fable Faerie Queene fiction figure Freud Frye function Giovanni Paolo Pannini Greek hero hierarchy human hypotaxis I. A. Richards iconographic idea imagery imagination implies irony isolation Kafka kind kosmos literary literature London magic Max Ernst Mayest thou never meaning medieval medieval allegory metaphor metonymy mimesis mimetic mind mode modern moral myth nature neurosis notion object ornament parataxis perhaps personified Peter Blume Philosophy picturesque poem poet poetic poetry political psychomachia Quintilian reader religion religious Renaissance rhetorical ritual romance satire seems sense shows sort Spenser story style sublime suggests symbolic synecdoche taboo theory things thou never exist tion tradition vision York
Verweise auf dieses Buch
The Dialectics of Seeing: Walter Benjamin and the Arcades Project Susan Buck-Morss Eingeschränkte Leseprobe - 1991 |