Music in the Andes: Experiencing Music, Expressing Culture, Band 87Oxford University Press, 2008 - 154 Seiten Music in the Andes is one of many case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Music in the Andes is one of the first books to offer a comprehensive overview of the uniquely rich and diverse musical crossroads of southern Peru and Bolivia. In contrast with many other places--where modern styles often replace older musical traditions--in the Andes each new musical layer is added, combined, and performed along with earlier ones. This volume explores the ways in which modern styles meet and interact with older, indigenous music to create a continuously evolving musical heritage. Music in the Andes examines the major contemporary indigenous, mestizo, and urban musical traditions of the region through a series of case studies. It also describes "Andean folkloric music," a cosmopolitan tradition that is performed in subways, streets, and festivals around the world. Throughout the book, author Thomas Turino underscores the dynamic interplay between musical/cultural continuity and innovation. He also emphasizes the exceptional communicative potential of music, dance, and festivals to express ethnic, class, regional, national, and gendered identities. In addition, he considers the ethical and stylistic differences between "participatory" and "presentational" modes of making music. Drawing on Turino's extensive fieldwork in the region, Music in the Andes is enhanced by interviews with key performers, eyewitness accounts of local performances, vivid illustrations, and hands-on listening activities. It is packaged with a 70-minute CD containing examples of music discussed in the text. |
Inhalt
Charango String Traditions | 38 |
Dance Dramas in Mestizo Catholic Festivals | 71 |
The Case | 97 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Music in the Andes: Experiencing Music, Expressing Culture Thomas Turino Keine Leseprobe verfügbar - 2008 |
Häufige Begriffe und Wortgruppen
album America Ancash Andean folkloric music Andean music Argentine associated ayllu Aymara bands bass Bolivia bombo cadence formula Canas Carnival CD track Centro Social charango chicha Chunchos chuta Condor Pasa Conima Conimeño contrast cosmopolitan costumes criollo cultural formation cumbia Cusco dance drama dance troupes dancers drum El Condor Pasa elite ensembles festival fiesta FIGURE folkloric style genre guitar highland Huayno identity Incas indigenista indigenous Andean indigenous communities indigenous music instruments kashua kena Latin American lifeways ligero Lima Majeños major melody mestizo Milchberg modernist Music of Peru musicians nationalist panpipe Paris participatory music Pastorita Huaracina Paucartambo Peña Peruvian Phrase pieces pinkillu played plaza popular practices presentational performance Puno Qollas Quechua Quilapayún recording regional clubs rhythm Rios satiri siku singing Smithsonian/Folkways solo song sound specific strings strumming tarkas technocumbia timbres town Traditional Music tune tuta kashua urban Urubamba Virgin vocal wayno World Music Yaraví