Envelopes of Sound: The Art of Oral History

Cover
Bloomsbury Academic, 30.09.1991 - 283 Seiten

What is it that oral historians do? Prior to the publication of Envelopes of Sound oral history was regarded as an archival practice and interviews were considered the repositories of data. Envelopes shows that the interview is a series of dialectical relationships embedded in language, social practice, and historical imagination. It merges theory and method through the analysis of the basic structures of the interview. It incorporates new thinking on the nature of narrative and conversation, and it covers new ground in examining fieldwork in a number of disciplines. While strongly theoretical, it also has direct application in conducting oral history interviews. Ronald Grele is the dean of oral history in the United States, and Envelopes of Sound is the volume by which others will continue to be judged. Its contributions to methods and to meaning are still the place to start a serious discussion, whether with scholars or with high school students interviewing their grandparents.
Paul M. Buhle Director, Oral History of the American Left New York University

Grele's early, groundbreaking book on oral history remains a classic. It continues to challenge the practitioner to be more self-conscious of and attentive to the nuances of the oral history interview.
Sherna Berger Gluck Director, Oral History California State University, Long Beach

What is it that oral historians do? Prior to the publication of Envelopes of Sound oral history was regarded as an archival practice and interviews were considered the repositories of data. Envelopes shows that the interview is a series of dialectical relationships embedded in language, social practice, and historical imagination. It calls upon oral historians to begin to step back, to think seriously about what it is they do, and to ask what kind of documentation it is that they produce and how they can make it better.

This volume merges theory and method through the analysis of the basic structures of the interview. It incorporates new thinking on the nature of narrative and conversation, and it covers new ground in examining fieldwork in a number of disciplines. While strongly theoretical, it also has direct application in conducting oral history interviews. It moves from relatively easy and simple considerations to increasingly complex issues. Envelopes of Sound can be used by a variety of students in discplines ranging from history and sociology to anthropology and contemporary literature, and it can be used in a variety of ways to raise issues on a number of theoretical levels.

Autoren-Profil (1991)

RONALD J. GRELE is Director of the Oral History Research Office at Columbia University. In addition to teaching and research, Dr. Grele has served as the editor of the International Journal of Oral History and subsequently the International Annual of Oral History and is the co-author of Where Cities Meet and 1968. Studs Terkel was an actor, writer, and radio host. He was born Louis Terkel on May 16, 1912 in New York City. He took his name from the James T. Farrell novel, Studs Lonigan. Terkel attended the University of Chicago and graduated with a law degree in 1934. Terkel acted in local stage productions and on radio dramas until he began one of the first television programs, an unscripted show called Studs Place in the early 1950s. In 1952, Terkel began Studs Terkel's Almanac on radio station WFMT in Chicago. Terkel compiled a series of books based on oral histories that defined America in the 20th Century. Working: People Talk About What They Do All Day and How They Feel About What They Do received a National Book Award nomination in 1975. The Good War: An Oral History of World War II won the Pulitzer Prize in nonfiction in 1985. Working was turned into a hit musical in 1978. Terkel was named the Communicator of the Year by the University of Chicago in 1969. He also won a Peabody Award for excellence in journalism in 1980 and the National Book Foundation Medal for contributions to American letters in 1997. He died on October 31, 2008 at the age of 96.

Bibliografische Informationen