King Lear, Band 70

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J.B. Lippincott & Company, 1880 - 503 Seiten
Presents Shakespeare's tragedy of a foolish and self-indulgent king who learns, late in life and after terrible suffering, the value of self-knowledge.
 

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Seite 192 - and window'd raggedness, defend you From seasons such as these ? Oh, I have ta'en Too little care of this! Take physic, pomp; Expose thyself to feel what wretches feel, That thou mayst shake the superflux to them 35 And show the heavens more just. Edg. [ Within^\ Fathom and half, fathom and half! Poor Tom
Seite 279 - Appear like mice; and yond tall anchoring bark Diminish'd to her cock; her cock, a buoy Almost too small for sight. The murmuring surge That on th" unnumber'd idle pebble chafes ^^ Cannot be heard so high. I '11 look no more, Lest my brain turn and the deficient sight Topple down headlong. Glou. Set me where you stand.
Seite 54 - sition to the charge of a star! My father compounded with my mother under the dragon's tail, and my nativity was under Ursa major; so that it follows I am rough and lecherous. Tut, I should have been that I am, had the maidenliest star in the firmament twinkled on my bastard- 125 izing. Edgar—
Seite 359 - Rule in this realm and the gored state sustain. Kent. I have a journey, sir, shortly to go ; My master calls me, I must not say no. Edg. The weight of this sad time we must obey, Speak what we feel, not what we ought to say. 325 316.
Seite 42 - over the moral quality of an action by fixing the mind on the mere physical act alone. Stand in the plague of custom, and permit The curiosity of nations to deprive me, For that I am some twelve or fourteen moonshines Lag of a brother? Why bastard ? wherefore base ? 3. in] to Han. on Quincy (MS).
Seite 194 - Lear. Didst thou give all to thy daughters? and art thou come to this ? Edg. Who gives any thing to poor Tom ? whom the foul fiend hath led through fire and through flame, through ford and whirlpool, o'er bog and quagmire; that hath laid knives under his pillow and halters in his pew; set rats48,49.
Seite 358 - Edg. He faints.—My lord, my lord! 312 Kent. Break, heart; I prithee, break! Edg. Look up, my lord. Kent. Vex not his ghost. Oh, let him pass ! he hates him That would upon the rack of this tough world 315 312. [Dies.] H edis. F,. He dyes.
Seite 278 - Evelyn in his Acetaria has a receipt for pickling sampler, called the Dover receipt. The plants do not grow on any place which the sea covers; and Sh. noticed this fact in Methinks he seems no bigger than his head. The fishermen that walk upon the
Seite 51 - These late eclipses in the sun and moon portend no good to us; though the wisdom of nature can reason it thus and thus, yet nature finds itself scourged by the se- 100 quent effects; love cools, friendship falls off, brothers divide : in cities, mutinies; in countries, discord; in palaces. 96.
Seite 252 - A father, and a gracious aged man, * Whose reverence e'en the head-lugg'd bear would lick, * Most barbarous, most degenerate! have you madded. * Could my good brother suffer you to do it? * A man, a prince, by him so benefited! * If that the heavens do not their visible spirits * Send quickly down to tame these vilde offences,

Autoren-Profil (1880)

William Shakespeare, 1564 - 1616 Although there are many myths and mysteries surrounding William Shakespeare, a great deal is actually known about his life. He was born in Stratford-Upon-Avon, son of John Shakespeare, a prosperous merchant and local politician and Mary Arden, who had the wealth to send their oldest son to Stratford Grammar School. At 18, Shakespeare married Anne Hathaway, the 27-year-old daughter of a local farmer, and they had their first daughter six months later. He probably developed an interest in theatre by watching plays performed by traveling players in Stratford while still in his youth. Some time before 1592, he left his family to take up residence in London, where he began acting and writing plays and poetry. By 1594 Shakespeare had become a member and part owner of an acting company called The Lord Chamberlain's Men, where he soon became the company's principal playwright. His plays enjoyed great popularity and high critical acclaim in the newly built Globe Theatre. It was through his popularity that the troupe gained the attention of the new king, James I, who appointed them the King's Players in 1603. Before retiring to Stratford in 1613, after the Globe burned down, he wrote more than three dozen plays (that we are sure of) and more than 150 sonnets. He was celebrated by Ben Jonson, one of the leading playwrights of the day, as a writer who would be "not for an age, but for all time," a prediction that has proved to be true. Today, Shakespeare towers over all other English writers and has few rivals in any language. His genius and creativity continue to astound scholars, and his plays continue to delight audiences. Many have served as the basis for operas, ballets, musical compositions, and films. While Jonson and other writers labored over their plays, Shakespeare seems to have had the ability to turn out work of exceptionally high caliber at an amazing speed. At the height of his career, he wrote an average of two plays a year as well as dozens of poems, songs, and possibly even verses for tombstones and heraldic shields, all while he continued to act in the plays performed by the Lord Chamberlain's Men. This staggering output is even more impressive when one considers its variety. Except for the English history plays, he never wrote the same kind of play twice. He seems to have had a good deal of fun in trying his hand at every kind of play. Shakespeare wrote 154 sonnets, all published on 1609, most of which were dedicated to his patron Henry Wriothsley, The Earl of Southhampton. He also wrote 13 comedies, 13 histories, 6 tragedies, and 4 tragecomedies. He died at Stratford-upon-Avon April 23, 1616, and was buried two days later on the grounds of Holy Trinity Church in Stratford. His cause of death was unknown, but it is surmised that he knew he was dying.

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