Cubism and Twentieth-century ArtH. N. Abrams, 1976 - 346 Seiten Art historian Robert Rosenblum clarifies the language of Cubism and offers a penetrating analysis of its role in the creation of the major pictorial and sculptural styles of our time. |
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Juan Gris | 111 |
Léger and Purism | 133 |
The Parisian Satellites | 157 |
Urheberrecht | |
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abstract ambiguous Analytic Cubism Archipenko architecture arcs artist Ben Nicholson Boccioni bottle Braque and Picasso Braque's Cézanne Cézanne's Chagall collage color complex contemporary contours contrast Cubist Cubist painting Cubist vocabulary Delaunay Demoiselles d'Avignon Duchamp Duchamp-Villon earlier evoke exhibition fantasy Feininger Fernand Léger figure flat forms fragments French Fresnaye Futurists Gallery geometric Georges Braque Gleizes Gris's Guitar head human illusion irregular Jacques Villon Joan Miró Juan Gris Kahnweiler Klee L'Estaque landscape Les Demoiselles d'Avignon Lipchitz literal machine Marc Marcoussis masters Metzinger Miró modern Mondrian movement Nicholson Nude Oil on canvas opaque oval Pablo Picasso painter palette parallels Paris Parisian patterns Picabia Picasso and Braque pictorial Piet Mondrian portrait reality Salon Salon des Indépendants Seated Woman shapes solid and void space Spanish spatial spring still-life objects structure studies style suggested symbols Synthetic Cubism table top texture theme tion tradition transformed trompe-l'oeil Umberto Boccioni vertical viewpoint Villon Violin visual York