The Oxford History of Music, Band 3

accompaniment Alessandro Scarlatti Andrea Gabrieli anthems appearance aria artistic Bach bars bass beginning branch of art cantatas canzonas Carissimi Cavalli Cavalli's character characteristic choral music chorus church music compositions connexion conspicuous contrapuntal counterpoint dance dance-tunes declamatory definite device dialogue direction dramatic early effect elaborate English composers example expression figured bass form of art French Opera fugal fugal movement fugue genuine Gott ground bass harmonic illustrate influence instinct instrumental music instrumental style interesting Italian J. S. Bach kind later Lulli Lullian lute madrigals manner masque master melody ment methods modern Monteverde Monteverde's motet musicians Nuove Musiche organ music organist ornamental overture passages phrases produced progress Purcell Purcell's qualities recitative represent rhythm rhythmic ritornello Scarlatti scene scheme seems seventeenth century simple sinfonia solo music solo voices sonatas song stringed instruments strings suggestive taste tendencies toccata tonality treatment tune violin vocal voice-parts words