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The Principles of Art

Frontcover
8 Rezensionen
Oxford University Press, 31.12.1958 - 368 Seiten
  

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Review: The Principles of Art

Nutzerbericht  - Mightymaeve - Goodreads

When Collingwood writes "principles of art," he's not referring to movement, unity, harmony, variety, balance, rhythm, emphasis, contrast, proportion, or pattern. He's philosophical, not technical. He ... Vollständige Rezension lesen

Review: The Principles of Art

Nutzerbericht  - John - Goodreads

The fastest and clearest route into the ideas of people like Hegel, Merleau-Ponty and Heidegger without any of the difficult language. A great book. The introduction is a fantastic piece of (Aristotelian) philosophical writing. Vollständige Rezension lesen

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Ausgewählte Seiten

Inhalt

LANGUAGE
7
ART AND CRAFT
15
ART AND REPRESENTATION
42
ART AS MAGIC
57
ART AS AMUSEMENT
78
i AS EXPRESSION
105
Expression and Individualization
111
Selection and Aesthetic Emotion
115
Impressions and Ideas
202
4 Attention
203
The Modification of Feeling by Consciousness
206
6 Consciousness and Imagination
211
7 Consciousness and Truth
215
Summary
221
Symbol and Expression
225
Psychical Expression
228

The Artist and the Ordinary Man
117
The Curse of the Ivory Tower
119
7 Expressing Emotion and Betraying Emotion
121
2 AS IMAGINATION i The Problem Defined
125
2 Making and Creating
128
3 Creation and Imagination
130
4 Imagination and Makebelieve
135
The Work of Art as Imaginary Object
139
6 The Total Imaginative Experience
144
Transition to Book II
151
THE THEORY OF IMAGINATION
155
THINKING AND FEELING i The Two Contrasted
157
Feeling
160
Thinking
164
The Problem of Imagination
168
SENSATION AND IMAGINATION r Terminology
172
Descartes to Locke
174
the Introspection Theory
178
the Relation Theory
179
Hume
182
6 Kant
186
7 Illusory Sensa
188
Appearances and Images
190
Conclusion
192
IMAGINATION AND CONSCIOUSNESS i Imagination as Active
195
The Traditional Confusion of Sense with Imagination
198
Imaginative Expression
234
Language and Languages
241
Speaker and Hearer
248
6 Language and Thought
252
The Grammatical Analysis of Language
254
The Logical Analysis of Language
259
Language and Symbolism
268
THE THEORY OF
271
ART AS LANGUAGE i Skeleton of a Theory
273
Art Proper and Art falsely so called
275
Good Art and Bad Art
280
ART AND TRUTH i Imagination and Truth
286
Art as Theory and Art as Practice
289
Art and Intellect
292
THE ARTIST AND THE COMMUNITY i Externalization
300
Painting and Seeing
302
The Bodily Work of Art 3S 4 The Audience as Understander
308
The Audience as Collaborator
311
6 Aesthetic Individualism
315
7 Collaboration between Artists
318
Collaboration between Author and Performer
320
The Artist and his Audience
321
CONCLUSION
323
INDEX
337
Urheberrecht

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Häufige Begriffe und Wortgruppen

A. A. Milne activity actually aesthetic experience aestheticians amusement art Aristotle arousing art proper artifact artist attention audience Aurignacian beautiful belong bodily chapter civilization colours connexion consciousness created criticism Descartes described discharge distinction distinguish element emotional charge error evoke example existence express emotion fact feeling function hearing Hume I. A. Richards idea imaginary sensa imaginative experience implies impression intellect Kant kind of craft language level of experience looking Magdalenian magical art make-believe Masaccio means merely mind modern nature never noises ourselves painter painting palaeolithic peculiar person philosophical picture Plato poem poet poetry practical present principle problem produce psychical experience psychical level psychological psychology question raw material reader real sensation representation representational art representative sense sense-data sensum sensuous society Socrates sounds speak technical theory theory of art things thought tion true truth uncon word write

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Referenzen von Webseiten

JSTOR: The Principles of Art
The Principles of Art. By rg COLLINGWOOD. (Oxford at the Clarendon Press; London: Humphrey Milford. I938. Pp. xi + 347. Price I5s.) This book, ...
links.jstor.org/ sici?sici=0031-8191(193810)13%3A52%3C492%3ATPOA%3E2.0.CO%3B2-5

Collingwood, The Principles of Art
A provocative passage (transcribed by me) from the conclusion of rg Collingwood, The Principles of Art (Oxford, 1938,--but never a copyright, apparently) ...
www.math.metu.edu.tr/ ~dpierce/ texts/ collingwood.html

COLLINGWOOD'S DEBT TO HIS FATHER ago tm Knox warned students not ...
The Principles of Art embraces all these views expressed by wg ... notion of ' corruption of consciousness' in The Principles of Art. ...
mind.oxfordjournals.org/ cgi/ reprint/ LXXVIII/ 311/ 437.pdf

Principles of Art excerpt
From The Principles of Art, by rg Collingwood, Clarendon Press, 1938. The artist’s business is–unlike a craftsman’s–not to produce an emotional effect in an ...
stayfreemagazine.org/ archives/ 15/ excerpt.html

Creativity and emotion: Reformulating the Romantic theory of art
In The Principles of Art (1938), rg Collingwood offers “the best exposition of ... Since the publication of The Principles of Art in 1938, ...
cognitio.uqam.ca/ 2004/ flanders.pdf

Collingwood's version of the Expressionist Theory of Art
The Principles of Art. Oxford: Clarendon Press, 1938. Collingwood-RG-young.gif (85631 bytes). Biographical notes. Robin George Collingwood - English, ...
people.creighton.edu/ ~ees33175/ Aesthetics_course_website/ Aesth_outlines/ Expressionism_Collingwood_p2002.htm

Robin George Collingwood – Wikipedia
Neben den geplanten Philosophical Principles (The Principles of History und The Principles of Art) sollte die Sammelschrift Studies in the History of Ideas ...
de.wikipedia.org/ wiki/ Robin_George_Collingwood

Philosophy 123 syllabus
rg Collingwood, The Principles of Art (Oxford: Oxford University Press, 1938). 3. Scan and text files (Adobe Acrobat PDF format) available on the world-wide ...
people.brandeis.edu/ ~rind/ phil123/ syllabus.html

COLLINGWOOD’S “LOST” MANUSCRIPT OF THE PRINCIPLES OF HISTORY
in February 1939, was planned, together with The Principles of Art, ...... to his previous book The Principles of Art (1938). It must be added, however, ...
www.blackwell-synergy.com/ doi/ pdf/ 10.1111/ 0018-2656.00003

David Boucher - The Significance of rg Collingwood's Principles of ...
Both texts are also closely allied to The Principles of Art, ... In The Principles of Art Collingwood makes the distinction between magical and amusement ...
muse.jhu.edu/ journals/ journal_of_the_history_of_ideas/ v058/ 58.2boucher.html

Über den Autor (1958)


R. G. Collingwood (1889-1943), philosopher and historian, was Waynflete Professor of Metaphysical Philosophy, Oxford University. One of the most learned men of his generation, he had a remarkable breadth of interest and knowledge and originiality of mind. He is the author of many notable books, including The Idea of History, An Autobiography, Essay on Metaphysics, Essay on Philosophical Method, The Idea of Nature, The New Leviathan, Speculum Mentis: or The Map of KNowledge, and with J. N. L. Myres, Roman Britain and the English Settlements in the Oxford Hitsory of England series.

Bibliografische Informationen

QR code for The Principles of Art
TitelThe Principles of Art
Band 11 von A Galaxy book
A Galaxy book, GB11
Band 62 von Oxford paperbacks
AutorRobin George Collingwood
AusgabeNeuauflage
VerlagOxford University Press, 1958
ISBN0199763569, 9780199763566
Länge368 Seiten
  
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