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Häufige Begriffe und Wortgruppenaesthetic experience affect ambiguity analysis anamnesis archaic articulate artist’s artistic practice artwork aspects of Kristeva’s audience Bill Henson biological processes body cathexis chapter child Clara colour compositionally consciousness constitutes contradiction creative practice creative production critique Cubism death desire dimension drive ego ideal elements emerges entry into language fear figure Freud’s function gaze gesso gives rise Henson’s heterogeneous Holbein’s identification images imaginary implies infant’s interpretation involves jouissance Kristeva Kristeva’s account Kristeva’s thinking Kristeva’s thought Lacan material process meaning melancholia and love mirror stage modally mother movement narcissism narrative negativity notion object operate painting phobic photographic Picasso’s pleasure pleasure principle primary primary narcissism produces psychic psychoanalysis reality rejection relation relationship renewal representational repressed revolt revolutionary scene semanalysis semiotic disposition sense separation social Sowerine space speaking subject Steinberg structure sublimation superego symbolic theory Totem and Taboo transgression unconscious understanding understood Untitled Venice Biennale viewer visual language Wendy Beatty Bibliografische Informationen
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