Acquiring Eyes: Philippine Visuality, Nationalist Struggle, and the World-media SystemAteneo University Press, 2006 - 325 Seiten Acquiring Eyes directs incisive but at the same time admiring attention to H. R. Ocampo, Lino Brocka, Ishmael Bernal, and Emmanuel Garibay--four masters, the original and complex visuality of whose genre-specific efforts to parlay Philippine social dynamics into visual practices of engagement, struggle, and transcendence have produced for each of them a much-deserved and committed local following. |
Inhalt
| 24 | |
| 31 | |
Materialist Spirituality and the Politics of Affect 1986 | 199 |
Conclusion or What Now? | 260 |
Notes | 273 |
Index | 312 |
Häufige Begriffe und Wortgruppen
abstract achieve aesthetic already American appears artists aspirations become body Brocka's called capital chapter character cinema City continues create culture desire domination economic effect elements emergence English existence experience expression eyes face fact figure Filipino film forces give global H. R. Ocampo human imagination imperialism important individual kind labor language later less lives logic look Manila Marcos masses material means mode movement narrative nationalist novel objects Ocampo once Orapronobis organization painting particular period Philippine political position possible practices present Press production question Quezon City radical Realism reality relation represent representation rice Scenes and Spaces Second sense shift situation social society story structure struggle television things Third thought tion transformation turn understanding University viewer vision visual writes