Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite xxviii
... close combat with the defenders of an ossifying party line , continued to believe that Marxists should not participate in construing a totally closed world , but should spontaneously respond to new technological changes in con ...
... close combat with the defenders of an ossifying party line , continued to believe that Marxists should not participate in construing a totally closed world , but should spontaneously respond to new technological changes in con ...
Seite 44
... close upon them once more , never to let me see or enter them . But those five last fearful minutes of the journey before everyone got out have been converted into the gaze of my eyes , and there are those perhaps who look into them as ...
... close upon them once more , never to let me see or enter them . But those five last fearful minutes of the journey before everyone got out have been converted into the gaze of my eyes , and there are those perhaps who look into them as ...
Seite 181
... close to the Sur- realist conception of love . " All the poets of the ' new style , ' ' Erich Auerbach points out in his excellent Dante : Poet of the Secular World , " possess a mystical beloved , they all have ap- proximately the same ...
... close to the Sur- realist conception of love . " All the poets of the ' new style , ' ' Erich Auerbach points out in his excellent Dante : Poet of the Secular World , " possess a mystical beloved , they all have ap- proximately the same ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing