Creative HorsemanshipA. S. Barnes, 1974 - 224 Seiten |
Im Buch
Ergebnisse 1-3 von 80
Seite 88
... correct move- ments , and reward correctly applied aids with correct responses . Therefore it is also important for riders to work as many horses as possible . Much feeling can be acquired by diversification of experience ( routine ) ...
... correct move- ments , and reward correctly applied aids with correct responses . Therefore it is also important for riders to work as many horses as possible . Much feeling can be acquired by diversification of experience ( routine ) ...
Seite 179
... correct saddle immediately forestalls correct equestrian results . No more could a rider accomplish anything on a horse without a proper saddle than could a skier performing in a pair of tennis shoes . The best saddles are custom - made ...
... correct saddle immediately forestalls correct equestrian results . No more could a rider accomplish anything on a horse without a proper saddle than could a skier performing in a pair of tennis shoes . The best saddles are custom - made ...
Seite 211
... correct approach . The correct approach can never be created without the correct departure from the previous obstacle . As a matter of fact , when departures from and approaches to obstacles are correct , the fences are automatically ...
... correct approach . The correct approach can never be created without the correct departure from the previous obstacle . As a matter of fact , when departures from and approaches to obstacles are correct , the fences are automatically ...
Inhalt
Introduction | 7 |
The Nature of the Ideal Horseman | 15 |
Horsemanship | 19 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
achieved activities Alois Podhajsky arena art form artistic back muscles balance body boots bracing canter Cavaletti center of gravity classical dressage classical riding coach combination jumps communications coordinated correct correctly create cross-country diagonal aiding dressage competition dressage horse Dressage riding dressage test driving equestrian center feel fences flex flexion Flying changes front gently goals gymnastic gymnasticizing half halt half-pass harmony hindlegs hindquarters horse and rider horse's ability horse's back horse's mouth horse's movements horse's natural horse's sides horsemanship ideal important improve impulsion indirect rein inside leg instruction instructor invite J.A. Allen joints judge jumper Kadet Kür Kyra Downton lateral bending longitudinal bending mental mobilized musculature neck never obedience pace performed physical piaffe pirouette position pull Rein back relaxed result rhythm rider's hands rider's legs rider's seat saddle sensitive shoulder shoulder-in show jumping spinal column stadium jumping strides supple swinging tension transitions trot walk yield