Creative HorsemanshipA. S. Barnes, 1974 - 224 Seiten |
Im Buch
Ergebnisse 1-3 von 17
Seite 173
... arena , indirect use of the inside rein must come into play . On the straight sides of the arena , however , direct rein is resumed on the inside to create parallel aiding . The leading rein occurs when you turn your lower arm and wrist ...
... arena , indirect use of the inside rein must come into play . On the straight sides of the arena , however , direct rein is resumed on the inside to create parallel aiding . The leading rein occurs when you turn your lower arm and wrist ...
Seite 183
... arena is good for daily gymnasticizing of the horses . During competition this same arena can be used for warming up horses . The other arena should be left for big jumps , and at times of shows for stadium jumping competition . This arena ...
... arena is good for daily gymnasticizing of the horses . During competition this same arena can be used for warming up horses . The other arena should be left for big jumps , and at times of shows for stadium jumping competition . This arena ...
Seite 210
... arena when he reaches it ? Surely he has to do all that in spite of being schooled for jumping . Is it not true that a jumping course demands exactly the same attainments any dressage program demands of the horse ? Is he not to do ...
... arena when he reaches it ? Surely he has to do all that in spite of being schooled for jumping . Is it not true that a jumping course demands exactly the same attainments any dressage program demands of the horse ? Is he not to do ...
Inhalt
Introduction | 7 |
The Nature of the Ideal Horseman | 15 |
Horsemanship | 19 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
achieved activities Alois Podhajsky arena art form artistic back muscles balance body boots bracing canter Cavaletti center of gravity classical dressage classical riding coach combination jumps communications coordinated correct correctly create cross-country diagonal aiding dressage competition dressage horse Dressage riding dressage test driving equestrian center feel fences flex flexion Flying changes front gently goals gymnastic gymnasticizing half halt half-pass harmony hindlegs hindquarters horse and rider horse's ability horse's back horse's mouth horse's movements horse's natural horse's sides horsemanship ideal important improve impulsion indirect rein inside leg instruction instructor invite J.A. Allen joints judge jumper Kadet Kür Kyra Downton lateral bending longitudinal bending mental mobilized musculature neck never obedience pace performed physical piaffe pirouette position pull Rein back relaxed result rhythm rider's hands rider's legs rider's seat saddle sensitive shoulder shoulder-in show jumping spinal column stadium jumping strides supple swinging tension transitions trot walk yield