Feelings are Always LocalV2_ publishing, 2004 - 208 Seiten Interactive art organizes itself as an open system: it preserves its coherence by exchanging matter, energy, and information with the environment. In that manner, interactive art is art whose state of rest must be disturbed before it can become art at all. Yet, it is precisely this instability makes it ever more complex. Feelings are Always Local is published on the occasion of DEAF04, the Dutch Electronic Arts Festival, which focuses on interactivity as open system and interactivity in open systems. It features projects with a social and political slant, as well as projects that have a technological or biological character. Also included are essays, interviews and projects by DEAF04 international theorists and artists. |
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active Africa Alexei Shulgin amnesia amygdala animals armed groups artists Bar Bot become biological black box body brain brown boxes Chris Cunningham Christa Sommerer Christopher Kelty cichlids cinema cities Civilization IV collaboration communication complex consolidated create cultural David Rokeby Descartes Economy of Terror emergence example exist experience fact film fish free software global gravity hippocampus human illegal economy images infrastructure of science installation interaction Internet Islamic kind Lake Victoria Lamettrie live Locative Media long-term memory machine Mega-Cities Membrane million minorities Mobile Feelings mouthbrooding movement Muslims neurons Nile perch open source open system organizations Pentecostalism percent political population poverty produced protein protocol reactivated reconsolidation robots science studies scientific Sikhs Slums smuggling social society soul space speciation species structure technical television terrorist theory things Third World tion University Unmovie urban Utopia Travel