Cinema IIA&C Black, 01.03.2005 - 352 Seiten Offers a fascinating analysis of the representation of time in film and the cinematic treatment of memory, thought and speech, and looks at the work of Godard, Hitchcock and Welles. |
Inhalt
Beyond the movementimage | 1 |
Recapitulation of images and signs | 24 |
third commentary | 42 |
The crystals of time | 66 |
fourth | 95 |
The powers of the false | 122 |
Thought and cinema | 151 |
Cinema body and brain thought | 182 |
The components of the image | 216 |
Conclusions | 251 |
The usefulness of theory in the cinema | 268 |
Glossary | 325 |
Häufige Begriffe und Wortgruppen
according action action-image actual image Alain Resnais already Antonioni Arkadin Artaud aspects attitudes automaton becomes Bergson body brain Bresson Cahiers du cinéma camera characters cinematographic circuit Citizen Kane coexistence conception constitute continuum contrast crystal Daney death defined depth of field direct time-image dream Eisenstein elements Etudes cinématographiques false Fellini film flashback forger free indirect function gest gives Godard imaginary indiscernibility internal irrational cut Jean-Luc Godard Lady from Shanghai longer Mankiewicz Marguerite Duras memory Michel Chion modern cinema montage movement movement-image narration neo-realism object opsigns optical and sound out-of-field Pasolini pass perception present problem pure optical recollection recollection-image relation Resnais ritornello Robbe-Grillet role says sense sensory-motor sequence Serge Daney sheets of past shot simply sound image sound situations space speech-act story Straub Syberberg t'aime takes talkie theatre things thought tion transformation true virtual virtual image visual image voice whilst whole woman
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Methods and Nations: Cultural Governance and the Indigenous Subject Michael J. Shapiro Keine Leseprobe verfügbar - 2004 |